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Our main goal is to showcase artists that made history in the 20th century, are making history now, as well as the ones we believe will make history in years to come. We welcome suggestions from artists and art lovers. All suggestions will be considered by our volunteer panel, which is made by art dealers and curators. All selected artists will be listed on our “Fine Artists” page and only those will be considered for our 2008 Art Book. We also provide curatorial service for our artist in the cities of Miami and New York. Other services include catalogs, calendars and a wide range of promotional services. We are focused on helping artists promote their work, while they have more time to do what they know best: ART.


Cy Twombly

Twombly was born in Lexington, Virginia. From 1947 to 1949 he studied at the School of the Museum of Fine Arts, Boston, at Washington and Lee University in Lexington, and at the Art Students League in New York from 1950 to 1951. There, he met Robert Rauschenberg who encouraged him to attend Black Mountain College, near Asheville, North Carolina, where he met John Cage. In 1951 and 1952, he studied there under Franz Kline, Robert Motherwell, and Ben Shahn.
The Kootz Gallery, New York, organized his first solo exhibition in 1951. At this time, his work was influenced by Kline's black-and-white gestural expressionism, as well as Paul Klee's imagery. In 1952, Twombly received a grant from the Virginia Museum of Fine Arts that enabled him to travel to North Africa, Spain, Italy, and France.
Upon his return in 1953, Twombly served in the army as a cryptologist, and this left a distinct mark on his style. From 1955 to 1959, he worked in New York, where he became a prominent figure among a group of artists including Robert Rauschenberg and Jasper Johns. In 1959, Twombly went to Italy and settled permanently in Rome. It was during this period that he began to create his first abstract sculptures, which, although varied in shape and material, were always coated with white paint. In Italy, he began to work on a larger scale and distanced himself from his former expressionist imagery.
Twombly is best known for blurring the line between drawing and painting. Many of his paintings are reminiscent of a school blackboard someone has practiced cursive "e's" on, or hundreds of years of bathroom graffiti on a wall. Twombly had at this point done away with painting a representational subject matter, citing the line or smudge, each mark with its own history, as its own subject. Later, many of his paintings and works on paper move into "romantic symbolism", as titles can be visually interpreted through shapes and forms and words. Twombly often quoted the poet Stephane Mallarme, as well as countless myths and allegories in his works. Examples of this are his famous work Apollo And The Artist, or a series of eight drawings consisting solely of the word "VIRGIL".

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